Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Son, Se Ra | Figures of Musica Poetica in the Passacaglias of Dieterich Buxtehude and J. S. Bach. DMA diss., University of Cincinnati, 2012. |
diss. |
| | 2012 |
|
|
| 2. | De Troyer, Nicolas | 'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. MA diss., Musicologie from Katholieke Universiteit Leuven, 2012. |
diss. |
| | 2012 |
|
|
| 3. | Costa, Gustavo Silveira | Seis sonatas e partias para violino solo de J. S. Bach ao violăo: fundamentos para adaptaçăo do ciclo. Doctoral Thesis, Escola de Comunicaçőes e Artes, University of Săo Paulo, Săo Paulo, 2012. 192p + score. |
diss. |
| | 2012 |
192p |
|
| 4. | Fazekas, Gergely | J. S. Bach és a zenei forma két kultúrája. [J. S. Bach and two cultures of music] PhD diss., Liszt Academy of Music, Budapest, 2012. 211p. |
diss. |
| | 2012 |
221p |
|
| 5. | Einarsdóttir, Sigrún Lilja | J.S. Bach in everyday life: The 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'. PhD diss. in Sociology, University of Exeter, 2012. 352p |
diss. |
| | 2012 |
352p |
|
| 6. | Palacios Quiroz, Rafael | La pronuntiatio musicale: une interprétation rhétorique au service de Händel, Montéclair, C. P. E. Bach et Telemann. PhD diss., Université Paris 4 Sorbonne, 2012. 362, 149p |
diss. |
| | 2012 |
362,149p |
|
| 7. | Bishop, Kirsten Elise | Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols. MPhil thesis, The University of Queensland, 2012. 42p. |
diss. |
| | 2012 |
42p |
|
| 8. | Bertoglio, Chiara | Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. PhD diss., University of Birmingham. 2012. 466p. |
diss. |
| | 2012 |
466p |
|
| 9. | Tang, Yue | Three milestones: An examination of unaccompanied cello compositions by Johann Sebastian Bach, Zoltán Kodály and Gasper Cassadó and their contribution to solo cello repertory. MA diss., Performance, Royal Irish Academy of Music/Ceol Acadamh Ríoga na hÉireann, 2012. 52p. |
diss. |
| | 2012 |
52p |
|
| 10. | Kornfeld, Zoltán | A szvit műfajának megjelenése Bach életművében, a gordonkára írt Hat Szólószvit elemzése (BWV 1007-1012). DLA értekezés, Pécsi Tudományegyetem Muvészet i Kar Doktori Iskola, 2012. 95p |
diss. |
| | 2012 |
95p |
Latin 2 |
| 11. | Bloss, Laura | Natural Trumpet Music and the Modern Performer. MMus diss., The University of Akron, 2012. vii, 74p |
diss. |
| | 2012 |
vii, 74p |
|
| 12. | Hsu, Chung-Hui | The solo string works of JS Bach: The relationship between dance and musical elements. DMA diss, Louisiana State University and Agricultural and Mechanical College, 2012. viii, 67p. |
diss. |
| | 2012 |
viii, 67p |
|
| 13. | Roy, Matthew J. | The genesis of the Soviet prelude set for piano: Shostakovich, Zaderatsky, Zhelobinsky, and Goltz. MA diss., Eastern Washington University, 2012. xi, 121p. |
diss. |
| | 2012 |
xi, 121p |
|
| 14. | McCarthy, Daniel W. | The influence of French and Italian national musical styles and genres on the music of J. S. Bach: a performance dissertation project. DMA diss., University of Maryland, 2012. xi, 26p. |
diss. |
| | 2012 |
xi, 26p |
|
| 15. | Mace, Abigail Rebecca | Style and Interpretation in the Seven Keyboard Toccatas of J. S. Bach, BWV 910-916. DMA diss., University of Texas at Austin, 2012. xxii, 152p. |
diss. |
| | 2012 |
xxii, 152p |
|